Studio Sunday: Andrew Indelicato

Andrew Indelicato, an artist, designer, and teacher, is this week’s Studio Sunday feature. In his interview, he discusses the crucial moment last year when he reevaluated the work he was making in order to develop a style that was more true to himself in addition to what he believes is the most rewarding aspect of being an artist! He also has two works currently available with PxP Contemporary in their show ‘Faces & Figures.’

Bio

Andrew Indelicato holds a Master's in Fine Arts and a Master's in Product Innovation. He is passionate about color, design, and Japanese culture. Indelicato has recently been featured in multiple publications and group exhibitions and he currently teaches Art, Creativity, and Design at Virginia Commonwealth University.

Statement

This body of my work revolves around the beauty of alternate futures that lay within the aesthetics of niche Anime subcultures. In today’s age, we are always looking for something to escape into. Remembrance and the retro always come forth. We want to relive ourselves within the nature of what we watched and saw when we were younger. It’s all about connecting to something that never was but perhaps might come forth in the future. The work draws upon the cyberpunk and dystopian aesthetics with subtle hints of neon vaporwave culture. It's big, bold, and a tad kitsch. The work can become somewhat awkward, but we as viewers crave this and then always want to take a peek.

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Tell us about your background in art. Where and what did you study?

I grew up in a creative household and was always pushed to pursue what I wanted. I got my BFA in Painting and printmaking at Virginia Commonwealth University, an MFA in Painting and Drawing at the University of Georgia, and just recently I completed a Master’s in Product Innovation at Virginia Commonwealth University.

How did you develop your style?

I’ve always had a hard-edged geometric aesthetic as well as an intuitive way with color. In 2018 around May, I had a gut-check moment about my work and why I was actually making the work that I was. I didn’t enjoy what I was making so I started to do some self-reflection and remembered the things I was passionate about and the things that I grew up with. These things really never left me and I wanted to bring these topics and images into the contemporary world. It’s an ongoing process and I’m enjoying the ride.

What is your process like? Do you work on pieces simultaneously?

I do a lot of research and planning for the imagery I want to use as well as the aesthetic I want to go for. Some of it is mapped out, some of it is just by chance - one of my goals is to find the play between both. I like to work on multiple works at the same time, especially within different media. Drawings, paintings, and digital work all go on at once.

Name a few artists who inspire you or where you look for inspiration.

I’d say KAWS, John Felix Arnold, and Felipepantone, just to name a few. For inspiration, I also look to anime, manga, and pop culture or tech websites as well as YouTube and Instagram.

Describe your current studio space. What is most important about it or one thing that you can’t live without in your work area?

My studio space is all over the place right now. Unfortunately, I don’t have a dedicated space, but I have a screened-in porch that I use and a spare bedroom I use part of. I must always have my computer and my projector.

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What is the most challenging aspect of being an artist? The most rewarding?

The most challenging aspect is time, finding time to make for yourself and not for a client or anyone else. The most rewarding is that gut feeling when you know you hit that sweet spot in the piece you are working on. It’s like putting two puzzle pieces together, it just feels right.

Are there any exciting exhibitions, projects, or collaborations going on this year that you’re currently working on or will be soon?

Right now I’m working on a couple of paintings for a group show for early next year as well as getting some things together for new opportunities.