Born in South Korea, Annette Hur lives and works in New York City. Hur has previously shown in solo / group exhibitions at Gavin Brown Enterprise, Times Square Space, Leroy Neiman Gallery, 33 Orchard gallery, Wallach Gallery in New York; Illinois State Museum, Heaven Gallery, Chicago Artists Coalition, Boundary, Sullivan Gallery, Zhou B Art Center in Chicago. Hur’s work was featured in New American Paintings issues 134 & 135, the online art publications: Bad at Sports and Third Coast Review. Hur was a resident of BOLT Residency at Chicago Artists Coalition in 2016-2017, and she holds a BA in Education from Ewha Womans University in South Korea and a BFA in Painting and Drawing from The School of the Art Institute of Chicago. She is currently a Masters of Fine Arts(2019) degree candidate at Columbia University.
My artistic pursuits suppressed throughout my young adulthood were reignited as a recovery to domestic violence and depression — both related to the patriarchal environment I was raised in while growing up in Korea. By working with abstraction on large scale oil paintings and Korean silk textiles, I investigate the inherited traditional culture that subconsciously manipulates and subverts female sexuality. Heavily abstracted bodily forms and a palette that mimics the colors of viscera or surface wounds of the body create an atmosphere of tension between the physical body and everyday violence around it. As a result, although the entire image is abstract, hints of fingers, breasts, genitals, wounds, and acts of vomiting or penetration create narratives of unsafe bodily experiences. In my work, I am empowered to express my vulnerability with strength, rejection with acceptance, and to reveal what has been hidden.