Fukuko Harris was born and raised in Tokyo, and she currently lives and works in New York City and Montauk, NY. She received her MFA from the New York Studio School of Drawing, Painting and Sculpture after studying at Parsons School of Design and Marymount College. Her paintings, sculpture and works on paper have been exhibited in numerous two-person and group shows around the US, including at The Painting Center, in New York, City; Trestle Gallery and 440 Gallery, in Brooklyn; Marquee Projects Gallery, in Bellport, NY; Gestalt Projects, in Santa Monica, CA; Vivid Space, in San Diego, CA; Chabot Fine Arts in Providence, RI; and The southern Nevada Museum of Fine Arts, in Las Vegas, NV. Harris’s work has been featured and reviewed in a number of publications, such as Art Slant, ArtMaze, Fresh Paint Magazine, Hamptons Art Hub, and Two Coats of Paint, and she has received several prestigious awards, including the New York Studio School’s Hohenberg Travel Grand and. Her works are featured in many private collections, as well as in the permanent collection of The Southern Nevada Museum of Fine Arts.
Generally non-representational, my works convey something I have witnessed, sensed, or otherwise experienced in my lifetime. I might start from an idea or image of a structure, conceptual or physical, or sometimes from a mood. I begin by working intuitively with a few colors in mind, and then explore compositional or structural possibilities with more forms and colors, or by various arrangements of my preferred marks. Sometimes it's simply the accumulation of materials that leads me along.
In my paintings and works on paper, I don't start with plans or ideas of what they will look like in the end. My goal is to be able to take a ride into the unknown space. It does not always happen, but when it does, unexpected and accidental things occur along the way, often leaving my artworks looking curious, inexplicable, or awkward.
I prefer organic forms and imperfect lines. I often choose bright and vivid colors along with monotones and various kinds of marks. I like to employ pattern-like elements in my mark making. My lines vary from wide to fine, or from gestural to quite controlled, and they always have a manual aspect. When my marks are gestural, the gestures are calm. When they're controlled, they’re not sharply delineated. I also frequently use collage applications in my smaller paintings on canvas, or in my works on paper. For these, I like to incorporate pieces of patterned textiles, repurposed canvas or paper cutouts. Such pieces break the bounds of the picture plane or provide an overall irregular shape to the whole surface. Often these works become wall sculptures.
In my sculptures, I am still driven by color and shape, but it's predominantly the extra dimension that unites these elements. I make my own objects or use found ones, and materials might include clay, plaster, paper, wire, fabric, yarn, wood or various recyclables. I then cut, paint or modify them. The materials are often small, and at times I like to work on these pieces in relation to each other. I build shapes upon shapes and materials upon materials until the objects seem to attain their own identity in the sculpture. As in my paintings and other works, the colors are often very bright.