Studio Sundays: Chantal Khoury
Chantal Khoury (b 1986) is originally from New Brunswick, Canada but has been based in Montreal since 2006. She obtained her BFA with distinction from Concordia University in 2012 and has been developing her practice ever since. Ongoing themes in her work examine the figure within contemporary portraiture, most often through her female characters. In recent years, her interest in memory and group dynamics have lead her work in a narrative direction. Her latest series Home and Haven was exhibited most recently in a solo exhibition at The Belgo Building in Montreal and will travel to Eastern Canada for another solo exhibition in 2018. She has exhibited widely across Canada, in numerous solo and group exhibitions and her work was part of the 2017 Carmichael Canadian Landscape Exhibition: Tradition Transformed at the Orillia Museum of Art & History. She has worked as an instructor at The Beaverbrook Art Gallery and her work is found in both private and public collections, including the permanent collection of the University of New Brunswick. She is represented by Gallery On Queen in Fredericton, New Brunswick.
My artistic practice works both within and outside the conventional aspects of representational painting and drawing. It is anchored in the realm of figuration and landscape, with an expressionist approach to image-making. During the past several years, an ongoing theme has addressed the female ‘self’, where my characters’ identities are repurposed and re-imagined.
More recently, my interests lie in selective memory as I examine my own childhood, my place in the Lebanese diaspora and my relationship to ‘longing’ within the Canadian landscape; these subjects act as a point of departure. My work takes on site-specific locations and addresses them through an idyllic lens. My resource material is pulled from found images and family photos while experimentation plays a major role in my process. My current series, Home and Haven explores the effects of selective memory over time by focusing on my own relationship to my childhood in Atlantic Canada. My practice always involves an exploratory approach to colour experimentation and composition, no matter the theme I am working on.
Fun Fact: My resource images are from my father's photos ( he is a photographer) which are already idealized. My works takes the images even further into the ideal and the utopian.