Seth Remsnyder began seriously painting in 1996 at the behest of his high school art teacher, Mr. Charles Acri. “Ack” as the kids sometimes called him would put Seth in the hallway with two talkative classmates for models, have him stretch a canvas and paint for the entirety of his art classes and study halls. The good teacher taught Seth to paint expressively and to avoid “worrying about likeness for now and to just paint.” And his soul grew. He then pursued his Bachelors Degree in the Fine Arts from the Pennsylvania School of Art and Design, graduating with the BFA in 2001.
After a rather drawn out and confusing hiatus from painting after graduating college, in 2008 Seth began to paint again. It was in late 2009 that Seth began to experiment with the work that he is now involved with. Seth is now enrolled in the MFA program for painting at the Savannah College of Art and Design and working in the Automotive Restoration Industry.
Seth is married and lives in Maryland with his wife and is a Dad to three little girls and one little boy in heaven. Seth’s hope is to continue painting come hell or high water and his utmost hope is that his soul will continue to grow.
My current body of work is titled: “Signage”. These are paintings on metal pieces like signs. The paintings are non-representational works focused on color, arrangement and movement. Some are placed on sign posts and installed in the public to play off of the signage that covers our communities. The intent of this body of work is to place serious works of visual art in a public context that deals with the concept of taking notice of the world around us. Signage is intended to grab the attention. So is visual art. The difference is often the context. Why do we so often miss what we are supposed to see when we are out in the world? Is the benefit of visual art in the public space the benefit of helping us remember how to see? I propose that it is. My current work aims to play off of the concept of signage to confront the public with visual art work in the public spaces that we traverse and all too often ignore. Perhaps most important is the basic idea that works such as these hold the possibility of brightening the days of the residents of our communities.