Posts tagged Art Show
Not a Flower Alone By Kristen Liu-Wong and Jillian Evelyn

 

CHG

Corey Helford Gallery

Presents
Not a Flower Alone
By Kristen Liu-Wong and Jillian Evelyn

 

OPENING RECEPTION

September 21, 2019 | 7pm - 11pm

 

ON VIEW

September 21 – October 26, 2019

 

COREY HELFORD GALLERY

571 S. Anderson St. Los Angeles, CA 90033

Open Tuesday-Saturday, 12pm - 6pm

(310) 287-2340

 

 

Downtown Los Angeles’ Corey Helford Gallery is proud to announce a two-artist show with Jillian Evelyn and Kristen Liu-Wong. Opening Saturday, September 21st in Gallery 2Not a Flower Alone features new works from the two Los Angeles-based artists that attempt to reflect the human experience utilizing flowers.

 

Using candy colors, heavy patterning, and tight compositions, Lui-Wong draws inspiration from American folk art, cartoons she watched as a kid, architecture, and for Not a Flower Alonefloriography (language of flowers).

 

Liu-Wong shares, "In this show I’m using floriography as a launching point to explore instances of what makes us human and humanity’s emotional connection to the natural world, drawing on flowers to say what can not necessarily be spoken or expressed out loud. The language of flowers is an old one who’s various forms can be found throughout time and in every culture -- by using this unspoken and cryptic language, moments of friendship, grief, rage, sensuality, and isolation are communicated and emphasized. Flowers are used as an expression of self; in them we see reflected back all of our best and worst qualities, in them we see our own fragility and vulnerabilities, our hardiness, the enduring nature of life itself, and the inevitability of death. My work draws heavily upon both Eastern and Western symbolism, referencing childhood cartoons, Victorian mourning culture, Japanese shunga, Greek mythology and a multitude of other sources to create a universe that mirrors both the diversity in our world and the unifying nature of our collective experience."

 

Evelyn’s instantly recognizable paintings feature abstracted figures bathed in vibrant colors. Regarding Not a Flower Alone, she states, "Throughout art history, whether fine art or theater, flowers denote emotions in flux. Whether these emotions are grief, rebirth, death or even a simple gesture of unrequited love, flowers can be used as transitory depictions of sadness or powerful symbols of beauty. They are undeniably used as hints by both authors and artists. This newest series of works uses flowers as a means to convey an artist reexamining process and practice, and the confidence and painstaking personal examination that comes with re-engaging with the art-making process. My figures are solitary and powerful, pondering and inquisitive, shaped by a quiet exploration of actions and consequences. The bodies contort and angle themselves as if a new un-ventured pose will beget new connections with the self. The flowers serve as a reminder that life deserves questioning, moments where words and definitions cannot be applied to the complications of emotions. Daisies may represent innocence, and roses love, but my works strip themselves extraneous allusions and lay bare the power of solitary self-introspection."

 

Not a Flower Alone opens Saturday, September 21st in Gallery 2, alongside a solo show from Ian Francis, entitled The Call of the Void, in the Main Gallery and a solo exhibition from Kai and Sunny, entitled In the Drift, in Gallery 3CoreyHelford Gallery is located at 571 S. Anderson St. Los Angeles, CA 90033 and normal hours are Tuesday – Saturday, from 12pm - 6pm.

 

 

About Kristen Liu-Wong:

Kristen Liu-Wong is a Los Angeles-based artist from San Francisco, who studied Illustration at Pratt Institute. Since graduating in 2013, she has shown extensively in numerous galleries on the East and West coasts and some places in between and beyond.

 

Liu-Wong's work blends everyday occurrences from her life with abstracted nightmares and crude humor. Trained as an illustrator, she tries to tell a story with every piece she makes, developing a personal and slightly sinister narrative within each painting. Using candy colors, heavy patterning, and tight compositions, the work draws inspiration from American folk art, the cartoons she watched as a kid, Shunga (Japanese term for erotic art), and her appreciation for architecture. She is always striving to make work that is highly personal but altered enough to allow individual interpretations to be applied to every story she paints.

 

About Jillian Evelyn:

Jillian Evelyn is a Los Angeles-based artist from Michigan. Evelyn's paintings investigate the depths of awkwardness, discomfort, and contortion both from external expectations and within ones' own thoughts. Evelyn paints her figures and abstractions bathed in vibrant color. She is able to reflect her personal conflicts while allowing for the viewer's personal interpretations.

 

About Corey Helford Gallery:

Corey Helford Gallery (CHG) was first established in 2006 by Jan Corey Helford and her husband, television producer and creator, Bruce Helford (The ConnersAnger ManagementThe Drew Carey ShowGeorge Lopez) and has since evolved into one of the premier galleries of New Contemporary art. Its goals as an institution are the support and growth of young and emerging, to well-known and internationally established artists.

 

CHG represents a diverse collection of international artists, primarily influenced by today’s pop culture and collectively encompassing style genres such as New Figurative Art, Pop Surrealism, Neo Pop, Graffiti and Street Art. CHG is located in Downtown Los Angeles in a robust 12,000 square foot building presenting new exhibitions approximately every six weeks.

 

For more info and an upcoming exhibition schedule, visit CoreyHelfordGallery.com and connect on Facebook, Twitter, Instagram, and YouTube.

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Kle Mens at REJEKT Gallery
Kle Mens, St. Rita, 30x30x18 cm, polymer composite, edition of 15 casts, 2017.jpeg

REJEKT Gallery presents Hybrid Prophecy, a solo show of one of Poland's exceptional young artists, Kle Mens. Her work will be exhibited at 82a Commercial Street, a former public toilet in London’s East End and is curated by Elaine Tam. The show runs 14-23 June 2019, with an opening reception on Thursday 13th June 2019, at 6pm.

Kle Mens is a Warsaw-based visual artist working across painting, sculpture, performance and film. Following the death of her father, Kle Mens grew up in an extreme Catholic sect in Poland, under the care of her mother, a schizophrenic, devotee nun. As such, a major tenet of her work is the exploration and exploitation of religious iconography, which calls forth a brave new world of the feminine in post-secular art practice.

The paintings at the heart of her practice involve a traditional technique, one which requires the painstaking application of a hundred translucent layers. Through this steady dedication we witness the transfiguration of Kle Mens as a Saint, martyr and hybrid creature, which emphasizes the transmutable nature of timeless mythical bodies.

Having exhibited in her native country multiple times, the controversial nature of Kle Men’s work means that the artist has received notable backlash from a more conservative Polish audience, including the staging of protests outside her exhibitions.

In her first UK solo show, Kle Mens makes a brave incantation, summoning both religious martyrs and mythological hybrids to evoke the formidable force of female transformation, which underlies all her work. This exhibition sees Kle Mens revisiting the idolatry of female purity of her youth through the martyr’s series, with focus on those whose punishment was sex-related or sexuality-specific.

In a relational gesture of self-sacrifice, paint becomes embodied flesh in St. Agata, the venerated saint a prime example of the extraordinary sufferance endured by female devotees. A tense and disarming dedication, Kle Mens’ severing of her own breast is a profound moment of ekstasis propelling her into the temporality of long-standing religious order, a remark upon the continued urgency of feminist concerns. With similar spirit, she investigates the unusual, always-timeliness of the apocalypse — the recurring crisis of individual, collective and planetary future that haunts existence.

In Hybrid Prophecy, Kle Mens presents us with this provocation: a stunningly detailed film work, which animates and subverts Hans Memling's The Last Judgement. The centerpiece around which the themes of the exhibition revolve, The Last Judgement sees her assuming new bodies and fictions, while persisting with the religious iconography that she is passionately indebted to. As such, two mythological hybrids that feature in the Apocalypse of St. John become proto-Renaissance self-portraits.

Kle Mens adopts the mystical poise of the famously ambiguous, riddling Sphinx. Her traditional painting technique begets a certain magic — one of majestic strength, and silent yet photorealistic liveness — which also courses through Harpy. While the eagle is emblematic of the Polish state, in the Apocalypse it behaves as a premonition, heralding a collapse between sky and earth. With this, Kle Mens continues her elegant foray into mythic territories, their power and their promise.

Kle Mens (Klementyna Stepniewska, b. 1985) graduated from the Warsaw Academy of Fine Arts in 2014 under the direction of Jarosław Modzelewski and Igor Przybylski. In 2016, she was winner of the The Geppert Competition XII, the most prestigious prize for young painters in Poland. To date, she has had three solo exhibitions, the most recent of which is Hail Mary (2019). Her works St. Rita and Kummernis are held by a key public collection, National Museum of Gdansk.

REJEKT Gallery are representatives of future pioneers of contemporary art from Eastern Europe. They curate unprecedented, unconventional events for new East artists in London. REJEKT seeks to represent and garner respect of Eastern European artists. Founder and Director, Sarah Sosnierz started promoting electronic music through hosting parties, aiming to collaborate various artists between London and Warsaw in the hope that this exchange would open new channels of cultural communication between East and Western Europe.

REJEKT do not conform to a traditional gallery setup. Their selection of unadulterated art is exhibited in unusual spaces, from industrial units to disused public toilets. Based in London, REJEKT has transitioned from illustrious clubs in Praga, flirting with underground dance club culture, to an arts platform occupying unique Heterotopian spaces; providing unconventional conduits; simultaneously mental and physical, geographical and digital representation.

For more information please contact: Anna Beketov, Damson Communications at anna.beketov@damsonpr.com or +44 (0)20 7812 0645.

Moniker Art Fair | New York May 1-5, 2019
Tina Ziegler, Fair Director. Photo courtesy of Moniker Art Fair.

Tina Ziegler, Fair Director. Photo courtesy of Moniker Art Fair.

Create! Magazine is excited to be partnering with Moniker Art Fair for its 11th edition in New York this spring. Read on to learn more about what exciting things you can look forward to at this incredible contemporary art fair!

This May 1 - 5, Moniker Art Fair returns to New York, welcoming international and local collectors to a five-day celebration of New Contemporary Art in Manhattan.

Moniker Art Fair is an acclaimed contemporary art fair with urban influences, which has for 10 years delighted collectors and art lovers in both New York and London with hyper-curated, fully-immersive and broad-scope events.

The next edition, held 1 - 5 May 2019, will dominate the heart of the New York art scene in its 15,000 square-foot venue in NoHo, continuing the never-conventional, always-pioneering fair format that has launched the careers of numerous artists in the past decades in partnership with international galleries.

Moniker has become the go-to for art collectors to learn more about the contemporary art world and to buy art assured by the curation, instinct and advice of professionals.

Moniker London 2018. Photo credit: Sam Roberts.

Moniker London 2018. Photo credit: Sam Roberts.

NEW YORK EXHIBITORS LIST

INTERNATIONAL GALLERIES

GAREY THE THIRD | LA & Hong Kong

FIERCELY CURIOUS | Brooklyn

MAZEL GALERIE | Brussels & Singapore

FOUSION GALLERY | Barcelona

VINYL ON VINYL | The Philippines

ROMAN FINE ART | The Hamptons

CAKE AGENCY | Chicago, Illonois 

11.12 GALLERY | Moscow, Russia

LIVING ART GLOBAL | UK

ANALOG CONTEMPORARY | Philadelphia

PERSEUS GALLERY | New York

 

OPEN STUDIOS

SIRIS HILL | UK

FATHERLESS | Illinois

DEREK GORES | Florida

BURAK KARAVIT | Istanbul

NICK FEDAEFF | Russia

ARTHUR BECKER | New York

TXEMY & AMAIA ARRAZOLA | New York

 

SPOTLIGHT ARTISTS

EVOCA 1 | Dominican Republic

CHRISTIAN BOEHMER | Cologne

WK INTERACT | New York

ICY & SOT | Iran

YOK & SHERYO | The Philippines

ARINZE STANLEY | Nigeria

NUNO VIEGAS | Portugal

Photo credit: Icy & Sot. Photo courtesy of Moniker Art Fair.

Photo credit: Icy & Sot. Photo courtesy of Moniker Art Fair.

FAIR SCHEDULE 2019

Wednesday 1 May 2019
Collectors Day: 3pm-7pm 
VIP Celebration: 7pm - 10pm
$75 (Includes $50 towards your first original artwork purchase)

A program of educational talks, panel discussions and networking sessions
around collecting contemporary and urban art.

Thursday 2 May 2019 
Public Opening | 1pm - 5pm 
Opening Celebration | 5pm - 9:30pm 
$25

General Fair Days
Friday 3 May | 1 - 10pm 
Saturday 4 May | 12 - 8pm 
Sunday 5 May | 11am- 6pm 
$15

STUDENTS AND SENIORS

Students can visit Moniker free of charge. A valid student ID will be required before entry.

Seniors (65+) ticket price is $10 (+booking fee) with code: REDUCED.

FAIR ACCESS

Children under the age of 16 do not need a ticket to visit the fair.

Well behaved leashed pets are welcome on site.



For more information, please visit their website: https://www.monikerartfair.com/ or follow them on Instagram.

Photo credit: WK Interact. Photo courtesy of Moniker Art Fair.

Photo credit: WK Interact. Photo courtesy of Moniker Art Fair.

Tiny Room For Elephants Festival in Philadelphia | April 19th-21st
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After speaking with the organizers, Create! Magazine is thrilled to be supporting TRFE and their upcoming event in April! Learn more about this exciting festival in Philadelphia that combines art, music and more below.

Tiny Room for Elephants Festival (#TRFE19) is a month long, collaborative, multi genre art and music experience, held throughout the month of April at Cherry Street Pier.  It is a living art ‘gallery’ that incorporates styles and mediums of 25+ Philadelphia artists painting/installing live from April 8th-April 17th. The finished works are celebrated on April 19th, April 20th and April 21st with live music, djs/producers, panels and interactive elements. 

The organizers, Dame & YaYa

The organizers, Dame & YaYa

The schedule of events is as follows:

Opening Exhibition 

Date: Friday, April 19, 2019

Time: 6:00pm-10pm

Fun Stuff:  Standing Room Only, A Wearable Art Show

Sounds: Camp Candle, Club Crusades, Eric Boss, Johnny Popcorn, Joshua Lang

Music Series

Date: Saturday, April 20, 2019

Time: 9:00am-9:00pm

Fun stuff:   Day Breaker (Tickets sold separately) "1000 Ways to Make It", panel moderated by Cosmo Baker; Live screen printing w/ Do It Now; Sticker Make & Take (Sticker Stampede); DIY Donut Station w/ Federal Donuts

Sounds: Aime, Cierra, Drew Mills, Emynd, Eric Boss, Expo, Femi, Jabair, John Morrison, Kayin x Sylo, Killiam Shakespeare, Kingsley Ibeneche, Mellowbastard, Pierson, Rover Rover, Shane tha Great, Suzanne Sheer, Tha Riva, The Bul Bey

Family Fun Day

Date: Sunday, April 21, 2019

Time: 12:00pm-6:00pm

Fun Stuff:  Easter Egg Hunt, World's Largest Kid's Sip n' Paint (tickets sold seperately), Sticker Make & Take (Sticker Stampede)

Sounds: Lee Jones & Friends

Sponsored in part by: YARDSPhiladelphia Weekly, HabithequeDo It Now T ShirtsFederal Donuts, Joe Werner ProductionsBlickTru WaveThe ParlorBeauMonde OriginalsChampionDWRC

Pulse & Scope Recap 2018
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We were so thrilled to be able to have the chance to see more fairs than usual this year. While we loved the diversity of artists represented at each of the shows that we visited, we have to give a special shoutout to Pulse and Scope for having consistent programs of top quality galleries and artists. As we walked along the aisles at both fairs, we couldn’t help but be pulled in every direction trying to take in as much of it as possible. We certainly tried to - so here are a few of our favorites!

PULSE

Andy Dixon  Toilette of Venus , 2018 Acrylic and oil pastel on canvas 59 x 47 inches Joshua Liner Gallery

Andy Dixon
Toilette of Venus, 2018
Acrylic and oil pastel on canvas
59 x 47 inches
Joshua Liner Gallery

Amy Lincoln  Sprinkler , 2018 Acrylic on panel 24 × 36 inches Project: ARTspace

Amy Lincoln
Sprinkler, 2018
Acrylic on panel
24 × 36 inches
Project: ARTspace

Kate Ballis  Lenticular II , 2017 Archival Pigment Print 39 x 59 inches Garis & Hahn

Kate Ballis
Lenticular II, 2017
Archival Pigment Print
39 x 59 inches
Garis & Hahn

Agostino Iacurci  Bust n°6 , 2018 Acrylic on canvas 59 1/10 × 39 2/5 × 1 3/5 inches M77 Gallery

Agostino Iacurci
Bust n°6, 2018
Acrylic on canvas
59 1/10 × 39 2/5 × 1 3/5 inches
M77 Gallery

Daisy Patton  Untitled (Mischievous Couple) , 2018 Oil on archival print mounted to panel 80 × 60 inches K Contemporary

Daisy Patton
Untitled (Mischievous Couple), 2018
Oil on archival print mounted to panel
80 × 60 inches
K Contemporary

Bisa Butler  The Safety Patrol , 2018 Quilted and appliquéd cotton, wool and chiffon 82 × 90 inches Claire Oliver Gallery

Bisa Butler
The Safety Patrol, 2018
Quilted and appliquéd cotton, wool and chiffon
82 × 90 inches
Claire Oliver Gallery

Daniel Handal  Java Rice Finch (Bubble Gum) , 2016 Signed, titled, dated, and numbered on label, verso Archival pigment print, painted frame (Edition of 3 + 2 APs) 19 x 15 inches Clamp Art

Daniel Handal
Java Rice Finch (Bubble Gum), 2016
Signed, titled, dated, and numbered on label, verso
Archival pigment print, painted frame (Edition of 3 + 2 APs)
19 x 15 inches
Clamp Art

Martina Lang  The Object 01 , 2017 Digital c-print 35 × 24 × 1 22/25 inches Uprise Art

Martina Lang
The Object 01, 2017
Digital c-print
35 × 24 × 1 22/25 inches
Uprise Art

 

SCOPE

Max Sansing  Stranded on Stony Island , 2018 Oil, Acrylic & Spray Paint 30 x 40 inches Line Dot editions

Max Sansing
Stranded on Stony Island, 2018
Oil, Acrylic & Spray Paint
30 x 40 inches
Line Dot editions

Fahren Feingold   WASTED MOMENTS , 2017 Watercolor 12 × 9 inches The Untitled Space

Fahren Feingold
WASTED MOMENTS, 2017
Watercolor
12 × 9 inches
The Untitled Space

Nathan Wong   NW 28 , 2018 Acrylic on canvas 72 × 60 × 1 inches Joseph Gross Gallery

Nathan Wong
NW 28, 2018
Acrylic on canvas
72 × 60 × 1 inches
Joseph Gross Gallery

Betsy Enzensberger   Glittery Rose Gold Popsicle , 2018 Resin, ink, glitter & plexi 26 × 14 × 14 inches

Betsy Enzensberger
Glittery Rose Gold Popsicle, 2018
Resin, ink, glitter & plexi
26 × 14 × 14 inches

Hélène Cenedese   Beard man #6 , 2018 Oil stick, acrylic on canvas 72 × 60 inches Galerie C.O.A.

Hélène Cenedese
Beard man #6, 2018
Oil stick, acrylic on canvas
72 × 60 inches
Galerie C.O.A.

Ulla-Stina Wikander   Just Call! , 2018 Cross stitch on found object, mixed media 5 9/10 × 7 9/10 × 7 9/10 inches Paradigm Gallery + Studio

Ulla-Stina Wikander
Just Call!, 2018
Cross stitch on found object, mixed media
5 9/10 × 7 9/10 × 7 9/10 inches
Paradigm Gallery + Studio

Gigi Mills   Laundry/Hanging Sheets with A Long Legged Dog , 2018 Oil on linen 20 × 17 inches Emmanuelle G Gallery

Gigi Mills
Laundry/Hanging Sheets with A Long Legged Dog, 2018
Oil on linen
20 × 17 inches
Emmanuelle G Gallery

Nicomi Nix Turner at Paradigm Gallery
Fruit has long made its presence in lore and mythology, representing fertility and abundance but also symbolizing evil, dissent, betrayal, gluttony and death.

In Writhing and Withering, the shiny and swollen fruit lives in each of the works as the center protagonist. It is consumed by both the fearless and ignorant alike, worn in defiance or left out to rot with the insects. Out of ritual or gluttony, the consumption of the fruit leaves mortality withering or holds the eater writhing in hallucinatory suspension.

This series marks the death of many of the symbolic devices that have carried through my works - a sacrifice for renewal; walking deeper into the woods and eating the fruit.

About the Artist

Nicomi Nix Turner is an artist based out of Northern California. Creating detailed illustrations that invoke a surreal understanding of the perfection in nature, her works delve into the occult and the connections between alchemy, mythology, decay and birth. Her hyper-detailed illustrations capture the coexistence of life and decay in a bouquet of fungi, personified insects, bones, flesh and fauna.

The pieces I create reflect subject matters pertaining to biological deconstructionism, nature's legacy, alchemy, fables and counter-religious belief. In an orchestra of hyper-textured saturation, each piece is a cacophony of silent movement and erratic soliloquies.

Nicomi Nix Turner (fernbeds) at Paradigm Gallery

Paradigm Gallery + Studio presents:

"Writhing & Withering" works by Nicomi Nix Turner November 18, 2016 - January 7, 2017

Opening Reception Friday, November 18th • 5:30pm - 10:00pm

Closing Reception Friday, December 16th • 5:30pm - 10:00pm

Exhibition Hours Tuesdays, Thursdays, and Saturdays • 12:00pm – 6:00pm And 7 days a week by appointment: info@paradigm-gallery.com / (267)266-0073

Location Paradigm Gallery + Studio / 746 S. 4th Street, 1st Floor / Philadelphia, PA 19147

Social Media Instagram: @ParadigmGS / @_fernbeds_ Twitter: @ParadigmGS / @fernbeds Tumblr: paradigm-gallery.tumblr.com / http://fernbeds.tumblr.com/ Facebook: facebook.com/paradigmgallery