Posts tagged Color
'Moment', Making Art's New Film on Landscape Artist Sarah Winkler

Landscape artist, Sarah Winkler, sums up our spiritual need for the wilderness in Making Art’s newly released film, ‘Moment.’

“We need the experience of being romantically and poetically lost in the wilderness, and being found again”

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Erika Pajarillo Creates Vibrant Illustrations of Women in Their Environments
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Erika Pajarillo is an illustrator based in Brooklyn, New York. Her illustrations feature lush drawn environments of women and nature, which stems from the world in her sketchbook. Working both digitally and traditionally, Erika’s illustrations extend to typographic design, surface and pattern design, and even embroidery.

www.erikapajarillo.com

Philadelphia 'Summer Rush' All Female Art Exhibition at James Oliver Gallery
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Kristen Reichert Dark Sister - 45” x 45”, Oil on canvas

Summer Rush will be curated by and take place at James Oliver Gallery as well as their sister gallery HOT•BED, where custom horticulture by Bryan Hoffman will accentuate the organic feel and intense color pallets of this show. The incredible line-up includes a diverse array of works by artists: Michele Kishita, M.K. Komins, Elizabeth Bergeland, Nat Girsberger, Alicia LaChance, Juliet Sugg, Kristen Reichert, Caitlyn Grabenstein, Molly Goldfarb, Ekaterina Popova, Erica Bello, Katelyn Liepins, and Nikki Painter. 

The scope of media includes abstract, surreal and hyper-realistic painting, collage, illustration, jewelry, and much, much more. Summer Rush will magnify the entropy of the season and eviscerate a notion of excitement and activity brewing and cultivating in our spaces. Don’t miss this enticing exhibition! 

The exhibition will be on view from July 13 - August 31, 2019

For more information or private viewings, please contact jamesolivergallery@gmail.com or by phone at 267-918-7432.

www.jamesolivergallery.com

Jiaranai Apaipak
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Born in Thailand, Jiaranai grew up in India, New Zealand, and the United States. She received her BFA from Nova Scotia College of Art and Design in Halifax, Nova Scotia before moving to Toronto, Ontario to work as an art teacher and manager of a small art school. She graduated with an MFA from the New York Academy of Art in 2017. She lives in New York and works in Jersey City.

Statement

The main subjects of my work are genderless creatures that are representational of me in a particular mental state that is in the lonely, self-doubt kind of place. It has nothing to do with the physical world but your mental state. They are not sexy, and they are awkward. They have fat rolls, and there is no attempt to make them glamorous. I try to focus on displaying honest, exorcism feelings. The swirls occupy colorful environments. The emotions shown on the creature's faces reflect a food coma state. To be in that space, you would believe there is a happy, smiling character because of the colors but it is not. It’s like being in New York City, you should be happy and excited, but often times you’re exhausted. I am also exploring how the environment we live in can make us feel isolated even when many people surround us. The loner dreads their isolation until eventually that feeling of dread becomes the joy and in their isolation, they find solitude. A Happy Lonely Place is the feeling of loneliness that becomes like home.

www.jiaranaiapaipak.com

Qiurui Du
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Qiurui Du is an artist from Beijing, China and is currently based in New York City. Having grown up in an artistic family his love of art grew tremendously. Queer identity and life experience give Qiurui a unique point of views and inspirations in art. As an introverted person, he expressed all his emotions and ideas through colors and images, and he believes art is a way to tell stories. In Qiurui’s work, he deconstructs his inner fears, love, and Chinese pop cultures, and the subject matter in Qiurui’s artworks is also inspired by his surroundings as well as daily experiences within the social framework. He creates corny scenarios with bright colors and flat images to bring the viewers into an illusionary dimension, where reality and imagination have been combined. In the Qiurui’s recent solo exhibition “A Bizarre World” (May, 2018), he has explored his childhood memories in his hometown Beijing with the particular attention to the social conflict and pop cultures that were influenced by China’s tremendous development and used acrylic to create a colorful imaginary world with black senses of humor to address the social issues, such as environmental problems, the conflict between poor and rich, and traditional Chinese lifestyle in Modern Chinese society.

Statement

The series of paintings "The Adventure Of Dama Wang" is inspired by my childhood memories with my grandmother. My grandmother liked to take a walk with me after dinner every day. It was like an adventure because every day we could see different people and discover exciting events in the city. In the artwork, I have explored my childhood memories with the particular attention to the social conflict. The character - an old lady with a purple cloth and big hair is a representation of a group of middle-aged Chinese women who rushed to purchase gold and stocks as an investment without thinking. They were also profoundly influenced by Chinese tradition, willing to serve in the household and concerned about daily expenses in a developing society. Through the character's eyes, she sees a " Pengci" ( It is a Chinese term referring to the practice of scam such as being hit by a car intentionally for money ), characters from Nothern Chinese Nianhua, and people who enjoy their happy hour. The corny scenarios with bright colors, characters, in which are inspired by people I saw in Chinese memes and pop culture, and flat images bring the audiences into an illusionary dimension, where reality and imagination have been combined. It is a satire and a celebration of modern Chinese society.

Instagram: @qiuruidu   

www.duqiurui.com

Rebecka Skog
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Born in Sweden, Stockholm in 1986.

She likes to travel, discover other cultures and fixation by all the colors found in culinary dishes, in music, and in any artistic discipline.

Rebecka has exhibited in different European cities, (London, Madrid, Barcelona, Vienna) and publications in magazines such as Elle, Cosmopolitan and Marie Claire.

She is currently living between the Canary Islands and Copenhagen working on different projects.

www.rebeckaskog.com

Crystal Latimer
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Crystal is currently a full-time painter based out of Pittsburgh, PA. She is represented by BoxHeart Gallery and Studio Director at Radiant Hall Susquehanna. Crystal completed her BFA Slippery Rock University. She then went to receive an MA and MFA from Indiana University of Pennsylvania in 2013 and 2016, respectively.

Crystal's work has been shown extensively in both solo and group exhibitions, including at the Pittsburgh International Airport, Pittsburgh Cultural Trust, Pittsburgh Center for the Arts, Chautauqua Institution, The Mine Factory, George Washington University, and Framehouse and Jask among others. She has shown her work in Hong Kong, China, as well as participated in a residency at the Joaquin Chaverri Fabrica de Carretas in Sarchi, Costa Rica. Crystal's work has been featured in Local Arts PGH, Art Maze Magazine, Ruminate Magazine, and Fresh Paint Magazine. Her work is included in both public and private collections including those of Indiana State University of Pennsylvania, PNC Corporate, the Benter Foundation, and Wyndham Tryp.

Statement

I stood at a Wal-Mart in Escazu, Costa Rica, and felt like I was experiencing that moment in late autumn when you realize that all the fiery reds and oranges had faded and fallen to the ground. My life had been a staccato of visits to my mother’s native Costa Rica and, in that second, I realized that I was witnessing the dilution of the vibrant culture.

My paintings explore the hybridity of Western and Latin American identity. For me, understanding identity, and its existence within a historical context does not assume a position in words, but in shape. Embedded in my compositions is Latin American culture: its intricate folk arts, tropical flora, and warm hues; while graffiti tags, bold mark making, and images of conquest interrupt this patchwork of shape and color. Patterns, both traditional and commercial, are fragmented and pieced together. Colors infused with Latin flavor are diluted by a ubiquitous white. Organic, blooming forms are contrasted by flat or rigid fields. My paintings use the tools of paint and brush to consider the colonization of Latin America, and its continuing role as “colony” in Western society. Without taking a political stance, I aim to draw attention to the visual tapestries and unknown histories of this underrepresented area.

www.crystallatimer.com


Complexity Through Minimal Expression: Interview with Yihong Hsu
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Yihong Hsu has an interesting multi-cultural background. She was born in Seoul, Korea as 3rd generation Chinese immigrants. She received American education since elementary school to college. She now lives permanently in Hong Kong.

 Yihong Hsu received her Bachelor of Art in Graphic Design at  Maryland Institute, College of Art, USA and later received her Master in Arts, Design Management, at International Design Advanced Studies Hongik University in Seoul, Korea.  

Her multi-national and cultural background lead her to have a successful career in design and branding industry for 18 years.

In 2018, she had a first break through as an artist, by being commissioned to do an art installation of 10 meter wide giant Panda and 7 meters tall Camellia tree - LOVE.FOUND. in Chongqing IFS mall (with co-artist Simone Carena of Italy). Ever since, she has found a new passion in contemporary art and have been painting for the past year. 

Artist Statement

Seed Series

The “Seed Series” was developed as a personal interpretation of nature and carries a deeper meaning of how that relates to us - humans. Flowers are portrayed as carriers of the seeds. All flowers carry female and male parts and thus self-reproductive. It is in all nature of things, a desire to reproduce and seeds are the beginning of that. My paintings are the exploration of seeds, seeds journey. Every seed will carry its own path, it may fall out sometime, it will one day be received, and it will grow.

Ball Series

Circles (balls) are very intriguing. They create movement and tension in the space and create odd spaces around them. They are so simple yet so powerful and I find myself using circles (balls) to interpret life, my own encounters, experiences, and emotion. Using the most minimal expression to interpret some complicated thoughts.

Interview by Alicia Puig

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How did you first become interested in art, and can you explain a bit of how it led you to the work you create today? 

I was a graphic designer for 18 years working in branding and advertising agencies. During those years, I always felt like there was an artist in every designer.

However, designers are very restricted, as they also have to be sensitive to the project's objectives, client's needs, market trends, etc. I was longing for freedom to express myself the way I wanted to and about things I was interested in. In 2018, I was lucky to be commissioned to do an art installation piece in Chongqing, China. A 10-meter long chrome finishing panda lying on top of Chongqing IFS shopping mall complex - named LOVE.FOUND. (co-artist Simone Carena) and a 7-meter tall metal-chrome camellia tree. During the project, which lasted one year, I did a lot of research on flowers and how to express them. I sketched a lot of camellias and ways to make it more interesting. It is during this time that I fell in love with flowers and nature and decided to quit my 18 years of career in advertising and start the journey of depicting flowers and nature. I have been painting ever since and find it very therapeutic and self-satisfying. 

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We love that some of your work is minimalist while other pieces have more complex layering and patterns. Can you tell us about what inspires you? 

It was a long train of thought and curiosity that led to these two very different types of paintings. I personally called them the "seed series" and "ball series." As I started to dig into and experimenting with different ways of expressing flowers, I became more curious about the anatomy of the flower. Something not everyone draws about when they draw beautiful outskirt of flowers. What I learned from the biological anatomy diagrams of flowers was that all flowers carry female and male parts and what I thought were the seeds of flowers were only pollens and that the seeds are carried deep inside the ovary and ovule. This was very intriguingand interesting to me, and it inspired me to start painting flowers always emphasizing on the seeds that they carry. I also started to imagine them all around us in nature, how they strive to survive and get transferred to other flowers, and so on. To me, it somehow reflects human life and what we go through in life. For the "ball series," it began when I started to draw a lot of circles for the "seed series." It was very fun and interesting to me how circles affect the space around it. It gives a sense of motion even in a still 2-dimensional space. It is a perfect round-edge shape but provides oddness. I was inspired to just use circles (balls) and the most minimal expression to depict this tension. When I want to tell a very complicated story and put a title to the "ball series" pieces, it makes perfect sense!

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What is your process like? Do you do a lot of sketching or make work more intuitively? 

I do a few sketches before just to make sure what is already in my head looks okay on flat surface. 

Describe your current studio or creative space. What is most important about it or one thing that you definitely need in your work area?

My creative space is an extra room at my place that I transformed into my workspace. There is no most important "thing" for me. I just need absolute silence and natural sunlight. I love my big window. 

What is your favorite thing about being an artist? That I can transform my thoughts and feelings into art. I don't need to organize my thoughts into PowerPoint slides and excel sheets and use fancy words to write about it. I just draw them. I feel free!

Michelle Amor Lundqvist
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Michelle Amor Lundqvist is a first generation Canadian born to a Filipino and a Swedish parent. Michelle was raised in a working-class family in Winnipeg, MB. Their love of color and visuals was ever-present in their body and led them to pursue a life in art. Their work is known for subtle geometric lines, minimalist compositions, and gradient colors in abstract spaces. Simplistic and beautiful, soothing and enlivening, Michelle’s work is imbued with their spirit. Lundqvist studied painting in Brussels at ERG St-Luc and graduated with a BFA from Concordia University in Montreal, Quebec. Their work has been shown in galleries in Brussels, Washington D.C and Montreal including Art Mur and is in private collections including Colart, T.D Trust and Loto Quebec. Michelle now lives with their spouse, a cat and a dog in the SF Bay Area, California.

Statement

Painting is a marriage of my own mysticism in life and art.

Much of my oeuvre is about the awareness of the sensation of a thought or emotion arising and disappearing as the works are created, culminating into a single event of an image or form. Ultimately, ones presence is the most important thing when painting.


My longest ongoing series Energy Fields investigates the invisible energy fields that surround our thoughts and feelings. They are the fruits of a journey inward into the depths of the subjective experience. I uncover and impart the slow passage of time. I ask the holy spirit for answers and want to share what I learn. I hold onto and hold still the first thought, which is the best thought. I am vulnerable in embarrassment and in asking for salvation. I imagined the forms there/of infinite space and painted what I saw. Strong, delicate and exact.

Most of my works are growth off my experiences with Energy Fields, including Planes which focuses on compositional exercises in fleeting moments looking up above the city, Impermanence whose floating abstract clouds of thoughts and emotions linger, and Lakes where the division of surface tension and evaporation meet. 

My work concerns the spiritual in art, like many abstract expressionists and mystical artist before. I take inspiration from the works and writings of Agnes Martin, Lawren Harris, and Caspar David Friedrich.

 www.michellelundqvist.com

Adolfo Gutierrez
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Salvadoran-American artist, Adolfo Gutierrez (b.1992), creates art that forces its audience to look beyond the lines and colors, in order to break apart the stories told in a language reminiscent of hieroglyphics. These symbols serve as visual metaphors, describing the conflicts occurring in Latin American countries that have caused their citizens to leave their homes, the hardships of departure, the process of migration, and arrival in a new country with different customs and conflicts. It explores the notion of finding a home away from home and the unknown stories of those who have come to the US. His color palette draws on the exteriors of homes found across Latin America and is a reminder of his roots.

www.adolfogutierrez.net

Paintings of Envelopes and Eetters by Fern Apfel
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The envelopes and letters in Fern Apfel’s paintings are old and worn. Some have been repeatedly folded, and others stashed out of sight for years. Some offer nostalgic reminders of things that no longer exist; others are from bygone friends. They represent relationships that were maintained across distances and referential dialogues extending through many years. These images are symbols of an invisible string that binds us to each other. In old letters, we find loved ones, parents, old friends, and our old selves.

Apfel’s images suggest the symbiotic relationship between our past and our present, and present life not as then vs. now, but rather, as inescapable circles of time and memory and the antithesis of our digital society.

Fern Apfel has exhibited widely in the Northern Hudson Valley & Capital Region of New York State where she lives and has pictures in the permanent collections of The Hyde Collection, The Tang Teaching Museum, The Albany Institute of History & Art, SUNY Albany Museum, The Shaker Museum Mount Lebanon, The Columbia County Historical Society and Museum and The Art Students League of NY.

Apfel has exhibited at the Collar Works Gallery in Troy, NY in shows curated by Cara Manes, MOMA, NY, Alexandra Foradas, Mass Moca, and Ian Berry, The Tang Teaching Museum at Skidmore College. She has exhibited at The Samuel Dorsky Museum at SUNY New Paltz, The Arkell Museum in Canajoharie, NY and The Butler Institute of American Art in Youngstown, Ohio among others.

www.ferntapfel.com

Emma Hill
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My abstract paintings are spontaneous and intuitive, expressive and emotionally charged. Each picture begins with a single brush stroke, starting a conversation. A streak of turquoise leaps above a squiggle of parchment and lilac beside a glimpse of fluorescent pink. Prussian blue drips like pouring rain and brilliant white miniature dots light up the sky like stars. Gradually layers of colour build phrases of optimism. Inspired by nature, brush strokes grow, constantly explore, entwine, and then separate and die.

Working on a large format enables a sense of freedom, to get lost within the picture. The painting process follows a journey into the unknown. In taking risks and trusting my intuition, I embrace uncertainty and vulnerability, allowing the accidental to become the structural core. Markings are made, painted over, wiped off, and layered over.

Influenced by the sky and the sea, a painting is given meaning and becomes complete by engaging the imagination of the viewer, who recognises something for themselves. In that moment, a glimpse of the figurative or a hint of a memory begins to form, shapeshifting and disappearing deep into the clouds or ocean.

My artwork aims to create paintings to dream into where we can be happy just to be. Constructing an intuitive world to get lost into, somewhere beyond our vision, past the horizon, between the sky and the sea. A place to return and revisit, to explore and rediscover and while immersed, losing and finding yourself for a moment in time.

www.emmahill.co.uk

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Natalie Ciccoricco
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Natalie Ciccoricco is a Dutch collage artist, living in California. After moving to the United States in 2012, Natalie started making mixed media collages and illustrations inspired by her new surroundings. Her work is characterized by her use of embroidery thread in combination with other materials, such as old photographs, magazines, books, and other ephemera.

Statement

In my work I weave together new narratives on paper, using embroidery thread and found images. By re-using old materials, it is my hope to give them a new life and meaning. I am inspired by the American landscape, my dreams, nature, arts, literature, and my travels.

My latest series ‘Down the Color Hole’ is an exploration into color and the concept of multiple dimensions. I use embroidery thread on images of old books and magazines to create the visual illusion of a new vantage point - a glitch in space and time from which the image seems to explode or implode, depending on how you look at it.

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Saskia Fleishman
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Saskia Fleishman b. 1995 graduated Rhode Island School of Design in 2017 with a BFA in painting. Fleishman is based in Brooklyn, NYC. Recent residencies include Vermont Studio Center, Trestle Art Space, and The Otis Emerging Curator Retreat.

Curious about curating other artists’ work, as well as exhibiting her own, Saskia continues to collaborate with peers around the greater New York area. In addition, Fleishman has exhibited her work in Miami, Providence, Rome, San Juan, and Milwaukee.

Statement

This series of paintings is generated through photographs of American landscape taken on recent vacations and images sourced from my family’s collection. These photographs are then composed as geometric abstractions, op-art, or color studies from  ”The Interaction Of Color” by Joseph Albers, in order to deconstruct, reflect upon, and rebuild early memory and perception. I pair flat, smooth, hard-edge paint applications aesthetic with textural materials such as sand, resin, and paper clay, to add unexpected dimension and reflection. The paintings explore nostalgia while contemplating moments in time, perception, and our relationship to memories embedded in landscapes.

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Jacquie Comrie
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Jacquie Comrie is a multidisciplinary, whose colourful work has been making a global impact, using colour as a main tool for social change and mental health at large. 

Whether as murals on buildings, large scale structures or canvases,  her work has a  wellness approach, that combines scale, movement, and colour to transform city scapes while catering to the mental well being of its communities.   

Comrie’s colour palette s  are deliberately orchestrated aiming to repair, heal, uplift spaces and minds. With mental health issues on the rise across the globe, her work continues  contributing to much needed inclusive public spaces, aiming to ultimately unite and  improve lives of all individuals.