Qiurui Du is an artist from Beijing, China and is currently based in New York City. Having grown up in an artistic family his love of art grew tremendously. Queer identity and life experience give Qiurui a unique point of views and inspirations in art. As an introverted person, he expressed all his emotions and ideas through colors and images, and he believes art is a way to tell stories. In Qiurui’s work, he deconstructs his inner fears, love, and Chinese pop cultures, and the subject matter in Qiurui’s artworks is also inspired by his surroundings as well as daily experiences within the social framework. He creates corny scenarios with bright colors and flat images to bring the viewers into an illusionary dimension, where reality and imagination have been combined. In the Qiurui’s recent solo exhibition “A Bizarre World” (May, 2018), he has explored his childhood memories in his hometown Beijing with the particular attention to the social conflict and pop cultures that were influenced by China’s tremendous development and used acrylic to create a colorful imaginary world with black senses of humor to address the social issues, such as environmental problems, the conflict between poor and rich, and traditional Chinese lifestyle in Modern Chinese society.
The series of paintings "The Adventure Of Dama Wang" is inspired by my childhood memories with my grandmother. My grandmother liked to take a walk with me after dinner every day. It was like an adventure because every day we could see different people and discover exciting events in the city. In the artwork, I have explored my childhood memories with the particular attention to the social conflict. The character - an old lady with a purple cloth and big hair is a representation of a group of middle-aged Chinese women who rushed to purchase gold and stocks as an investment without thinking. They were also profoundly influenced by Chinese tradition, willing to serve in the household and concerned about daily expenses in a developing society. Through the character's eyes, she sees a " Pengci" ( It is a Chinese term referring to the practice of scam such as being hit by a car intentionally for money ), characters from Nothern Chinese Nianhua, and people who enjoy their happy hour. The corny scenarios with bright colors, characters, in which are inspired by people I saw in Chinese memes and pop culture, and flat images bring the audiences into an illusionary dimension, where reality and imagination have been combined. It is a satire and a celebration of modern Chinese society.