Brandon C. Smith is an artist who works in a variety of media and subject matter including recent political paintings and sculpture depicting the outrage of contemporary American society.
Smith has presented work in over 70 solo and group exhibitions nationwide. Solo exhibitions include Illinois Central College in Peoria (IL), Chadron State College in Chadron (NE), Heike Pickett Gallery (KY), University of Redlands (CA), Southern Oregon University (OR), Berea College (KY), Pittsburg State University (KS), Perry Nicole Fine Art (TN), Carnegie Visual and Performing Arts Center (KY), Tennessee Tech University (TN), Georgetown College, Georgetown (KY), Pedro Moncayo Foundation (Ibarra Ecuador) with upcoming shows in Frostburg State University, Frostburg (MD) and Fontbonne University in St. Louis (MO).
Smith has been included in two-person and group exhibitions nationwide, most recently at the UK Art Museum’s exhibition “Frankensteinian,” “Contemporary Sculpture” exhibition at Site: Brooklyn and “A Contemporary Drawing Show” in Kokomo Indiana. Group exhibition include San Joaquin Delta College (CA), Perry Nicole Fine Art (TN), Seminole Community College (FL), the Chazen Museum of Art (WI), Heike Pickett Gallery (KY), Perry Nicole Fine Art (KY), Bennett St. Gallery (GA), Amy Baber Fine Art (LA), The State University of New York (NY) among others.
As part of the Smith Townsend Collaborative, Smith has presented exhibitions at the Sculpture Center in Cleveland (OH), Murray State University (KY), Miami University (OH), New Harmony Gallery of Contemporary Art (IN) Pellissippi State College Knoxville (TN) and most recently a Merit award recipient at Art Fields in Lake City S.C.
Brandon C. Smith earned a Bachelors of Arts degree from Eastern Kentucky University (KY) in 2000, and a Master of Fine Arts degree from the University of Cincinnati (OH) in 2004. He was a recipient of the Al Smith Kentucky Individual Artist Grant and two-time recipient of a Great Meadows Individual Artist Grant. Smith is a Senior Lecturer of Art at the University of Kentucky and lives on a farm in Salvisa KY.
These works speak directly to the current political/social climate in the United States. Somewhere between elation and despair, our country seems to be moving toward tribal bifurcation. Passionate participation manifests as outrage and tumultuous emotional expression. The yelling and screaming figures found in these works have references in recent political rallies, concert attendees and moments of boiling anxiety.
These works are also about painting and the language of paint. The space is simultaneously rendered and flat, while the paint runs and drips in layers of thin and thick paint. Through these works, I explore the space between beauty and the expectations of beauty with the unsettling transition into visual chaos. Sometimes beautiful and sometimes grotesque, these works speak to the emotional state of political and social extremism through the physicality of paint.