Wenyan Xu began her career in art almost twenty years ago as a BFA student studying in the Academy of Art & Design, Tsinghua University, a top art college in China. In order to further understand contemporary art, she journeyed across continents to study art in the United States. Having completed her M.A. in the Art and Visual Culture Education Program at the University of Arizona, she focused on her artistic process and production. Through the M.F.A. painting program at Indiana University in Bloomington, she is fulfilling her artistic dream. Her paintings had been shown nationally and internationally, including at the National Art Museum of China (NAMOC), China; the Verum Ultimum Art Gallery, Portland, OR, U.S.A; and the M.A.D Gallery, Milan, Italy.
My current body of work is about space-time and emotion. Through my painting, I invite viewers to experience a journey from space to time, to engage in the interweaving of emotion and reality, and to be aware of spiritual energy versus the limits of daily life.
Space-time is a physics concept, which describes the universe with the three dimensions of space and the one dimension of time. We usually think that we are not able to live beyond space-time and are only subject to reality, yet never realized that our emotions can change the track that we go through. The human emotion is historical, interrelated, spontaneous, unarticulated and passionate in my painting. Emotion, as an innermost power of human, has been spreading the energy throughout human history and contributing to our civilization. How much do we give credit to this internal motivation? Instead, knowledge, skills, and intelligence are regarded as main drivers for the development of society. In my opinion, knowledge, skills, and intelligence can only build a world in three dimensions. Their product can last and add up throughout the length of time but cannot exceed it. However, emotion can go beyond space and time. It can outreach the world of four dimensions, target a location in the chaos of four-dimensional space, and then build a time tunnel, which you had not anticipated but would go later on in your life. Therefore, emotion has a different dimension with reality in my work. It also has potential energy to change reality, the world in three dimensions.
The reality is abrupt and rational, devoting itself to breaking down and rebuilding our emotions. I abstract marks and symbols from daily life to display a sober and unordered present. They represent rules and laws unassociated with personal emotions.